У статті розглянуто історичні романи Р. Іваничука “Мальви”, “Черлене вино”, “Шрами на
скалі” та “Четвертий вимір” під кутом зору відображених у них духовних запитів епохи. Увага
зосереджена на художній трансформації суспільно-філософських ідей різних періодів історії
України та їх перегуків із сучасними проблемами.
The paper deals with the historic novels written by Ukrainian writer Roman Ivanychuk in 1960s –
1980s. The emphasis is given to the peculiarities that distinguish his works among the similar novels
on the Ukrainian history written at the same period. The researcher sees the main diff erence in the fact
that R.Ivanychuk focused not so much on the heroic acts of his characters as on their characteristics
of representatives of the epoch. He paid the most attention to the spiritual awakening of the nation
being under pressure of the forced assimilation and in danger of extinction. These features of the
historic novels by this writer were already noticeable in his first novel “Malvy” (“Mallows”, 1968). The
work focused on the problem of “janissaries”, especially relevant at that time. It was interpreted as the
loss of historical memory and national identity on the one hand, and the inevitable end of the empire
that exploits enslaved neighbors on the other. The aesthetic symbolism is realized in the image of a
luxuriant plane tree which is drained by mistletoe, with the fatal end of a tree. The symbolism of this
image is related to the idea of the Arabic philosopher of the 16th cent. Ibn Khaldun who stated that
decline of an empire is caused by the loss of its vital sources.
The novels “Cherlene vyno” (“Red Wine”, 1977) and “The Manuscript from Ruska Street” (1979)
contain the aesthetic models that sound in tune with the scholarly ideas of contemporary historians
(O. Apanovych, Y. Isaievych, M. Braichesvkyi). In particular it was the interest to the development of
the education system and research studies, emergence of Brotherhood schools and book printing.
Historic novels by R.Ivanychuk emphasize the conflict between the Artist and the system of ruling
power (“Shramy na Skali”/“Scars on Rock”, 1982), where one can see allusions to the movement of
the Sixtiers. The writer raised the problem of the moral choice between strict loyalty to the principles
and the compromise. Then he explored the limits of justifying the compromise.
