http://dspace.nbuv.gov.ua:80/handle/123456789/199351 Fri, 24 Apr 2026 15:10:24 GMT 2026-04-24T15:10:24Z http://dspace.nbuv.gov.ua:80/bitstream/id/587291/ http://dspace.nbuv.gov.ua:80/handle/123456789/199351 http://dspace.nbuv.gov.ua:80/handle/123456789/199498 Віктору Афанасійовичу Косаківському — 60! 31 січня святкував ювілей кандидат історичних наук, археолог, етнолог, фольклорист, краєзнавець, музеєзнавець, педагог Віктор Афанасійович Косаківський, який народився 1962 р. в містечку Чечельник на південно-східній Вінниччині. Sat, 01 Jan 2022 00:00:00 GMT http://dspace.nbuv.gov.ua:80/handle/123456789/199498 2022-01-01T00:00:00Z http://dspace.nbuv.gov.ua:80/handle/123456789/199497 До 60-річчя Віктора Петровича Чабая Віктор Петрович Чабай - доктор історичних наук, член-кореспондент НАН України, директор Інституту археології, завідувач відділу археології Криму та Північно-Західного Причорномор’я Sat, 01 Jan 2022 00:00:00 GMT http://dspace.nbuv.gov.ua:80/handle/123456789/199497 2022-01-01T00:00:00Z http://dspace.nbuv.gov.ua:80/handle/123456789/199496 Кераміка середньовічного Білгорода: матеріали розкопок 1969, 1971 рр. Тесленко, I.Б.; Мироненко, Л.В. У статті репрезентовано окремі зразки побутової й архітектурної кераміки з розкопок середньовічного Білгорода 1969 і 1971 рр., що зберігаються в Наукових фондах Інституту археології НАН України. До їх аналізу залучено широке коло порівняльного матеріалу, що разом із результатами останніх досліджень середньовічних пам'яток Північного Причорномор'я дало можливість запропонувати новий погляд на хронологію як самих керамічних знахідок, так і археологічного контексту, з якого вони походять.; In the focus of the study is pottery together with its archaeological context from the excavations of Bilhorod (Bilhorod-Dnistrovskyi, Odesa Oblast, Ukraine), led by S. D. Kryzhytskyi in 1969 and 1971. These are 17 items, 15 of which are stored in the Scientific Repository of the Institute of Archaeology of the NAS of Ukraine. They were found in a section of the medieval site north-east of the fortress walls in the area of one of the pottery workshops, set up on the ruins of a round antique tower. The previous researchers of medieval Bilhorod (S. Kryzhytskyi, A. Kravchenko, H. Bohuslavskyi and others) associated a thick medieval horizon outside the fortress, as well as on the area investigated in 1969 and 1971, with the “Golden Horde” stage in the history of the city, dating back to the turn of the 13th–14th – the 1370s. They identified three construction periods in its structure, correlated the earliest one with the functioning of the pottery kilns, and dated back not later than the beginning of the 14th century. However, a careful study of the excavated material allowed us determining stove tiles of Central European morphological types by the second half of the 15th century, among the main products of this pottery workshop. Therefore, firstly, the activities of the workshop cannot be dated earlier than the middle or second half of the 15th century. Secondly, this type of pottery was not inherent in the “Golden Horde” cultural tradition at all, and therefore cannot be associated with it. The dwellings and other objects on the ruins of the kilns were built even later. Thus, the remains of ceramic production, as well as subsequent construction, can be correlated only with the late stages of the “Moldavian” period of Bilhorod’s history, which lasted in general from the end of the 1370s to 1485, but not with the Golden Horde. Related ceramic finds, studied in the Scientific Funds of the Institute of Archaeology of the NAS of Ukraine, also refer mainly to the 15th century or to the last quarter of the 15th–16th centuries. The latter most likely marks the time of the destruction of buildings. At the same time, several finds from excavations in 1969 and 1971 (Dzhuchid coins, fragments of amphorae, and glazed pottery) indicate some anthropogenic activity at the site in the 14th century as well. However, they mostly do not have a clear context. Therefore, it is quite difficult to localize the stratified archaeological objects of this time through the data from the reports. Sat, 01 Jan 2022 00:00:00 GMT http://dspace.nbuv.gov.ua:80/handle/123456789/199496 2022-01-01T00:00:00Z http://dspace.nbuv.gov.ua:80/handle/123456789/199495 Теракотові вівтарики з Ольвії Шевченко, Т.М. Прямокутні вівтарики зі стандартними рельєфними сценами на чотирьох сторонах відомі в багатьох античних центрах. Серія їх фрагментів, знайдених у ботросі на Центральному теменосі Ольвії, публікується вперше і дозволяє визначити ареал найчисленніших знахідок аналогічних виробів у Понтійському регіоні. Аналізуються причини їх поширення і можливість виготовлення в Ольвії.; Pontic region. Their origin is being discussed for almost a century. According to number of finds, Southern Italy was believed to be the place of their production, while according to the analogies on mouldmade pottery it was Athens. However, a find of such item made of imported clay in Athens, as well as quantitative prevailing of them in the Black Sea region allow presuming the additional centres of their production. Most of published here terracottas from Olbia were found in a botros at the Central temenos where a coroplast’s workshop had functioned. No mould for arulae production was discovered there, but their significant number, the variations in décor and size of the upper part, finds of smaller size arulae of the next generation of mould, as well as manufactural techniques peculiar for Olbian coroplastics of the 2nd century BC allow presuming the local production of these items. It is revealed that the height of the area above the denticule between the palmettes depended on processing by hand and varied significantly. It means that such an indicator as size of the altars should not be considered as decisive in determining of their origin. The publication of Olbian finds brings corrections also into the discussion on the interpretation of relief scenes on the altars. There are various versions of attributing the kitharode and a god with a trident, as well as their companions. Temples of Zeus an Apollo functioned at the temenos where the published items were found. Relief scenes on analyzed arulae at least for habitants of Olbia depicted the gods worshipped here. The god with a trident was Zeus for them, not Poseidon, while the god with a kithara was Apollo, not Orpheus. Accordingly, the order of personages on such thymiateria for Olbian worshippers was as following: Zeus, Nike, Dionysus and Apollo. Images of various gods on a single item could reflect the need to worship many gods at once during the cultic practices at home. The arulae could be produced within the sacral precinct for the needs of family cults, as they are often found in houses. Probably the very scenes as a set of main cults were the reason of rapid spread of such arulae in the Greek world. Sat, 01 Jan 2022 00:00:00 GMT http://dspace.nbuv.gov.ua:80/handle/123456789/199495 2022-01-01T00:00:00Z