Мета статті — розглянути окрему категорію
свинцевих виробів із розкопок Ольвії; на їх прикладі
дослідити технологічні особливості виготовлення
таких виробів і зв’язок Ольвії з варварським оточенням. Ідеться про невелику групу композиційних
фігурок, які за деталями одягу можна вважати зображенням скіфських вершників.
In the article, the author aims to examine a specific category of lead artefacts discovered in Olbia, with a focus on investigating
the technological features of their production and Olbia’s connections with its barbarian surroundings. The research employs an
interdisciplinary approach utilising methods of analysis, synthesis, and socialisation, particularly emphasising the comparativehistorical
method.
Against the backdrop of extensive studies on metalworking in Olbia, especially in foundries and blacksmithing, the processing
of lead and the production of artefacts from it remain relatively under-explored. Therefore, this article delves into one category
of items made of this metal.
A distinct group of composite figurines and their fragments — statuettes of riders on stationary standing horses is explored
in the article. Based on the details of their attire, they can be identified as Scythian horsemen, raising questions about Olbia’s
connection with its barbarian environment. According to the classification of K. I. Zaitseva, in addition to riders on stationary
standing horses, there is a small number of figurines depicting horsemen on galloping horses.
All examined lead figurines are cast in the technique of either single- or double-sided relief, indicating their different usage.
If double-sided statuettes could be used autonomously, single-sided ones may have needed to be attached to some surface. The
presented depictions of Scythian riders not only provide insights into the production of various lead items in Olbia, but also raise
questions about Greek-barbarian contacts, possibly indicating the residence of local inhabitants in Olbia and their status in both
the city and barbarian interactions. They also expand our understanding of Scythian attire and horsemen.
Lead items originating from Olbia can be categorised into several groups depending on their purpose. Primarily, these are
household items (clamps, spindle whorls, fishing weights). During the Hellenistic period, handles (clamps) for wooden coffins
(biers) were manufactured. However, the most interesting group comprises votive items, with around 350 known examples to
date. These include bucrania, stylised sheep heads, and labryses. A smaller group consists of anthropomorphic figurines of gods,
warriors, chariots, plaques with narrative scenes (sacrifices) and riders. Such votive figurines are found in mounds and tombs as
burial offerings. Less frequently, they are found directly within burials. Additionally, they may have been used in religious rituals
and in decorating household altars.
The question of the ownership of such statuettes remains unanswered. However, Herodotus wrote about a barbarian population
known as Callipidae or Hellenes-Scythians in the territory of the Olbian state. It is essential to note that in the 4th century BC,
coins were minted in Olbia bearing the image of the Scythian king Ateas, and Scythian weaponry was commonly depicted on the
Bosporus, indicating traditional Scythian-Hellenic relations that likely solidified after the Scythians defeated Zopyrion’s army
under the walls of Olbia. Thus, the presence of residents in the city cannot be denied.
